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"I am more interested now in writing on aesthetics from a theoretical basis. I find I'm able to express certain things that I'd always wondered about on a purely intuitive level. And so that's the nature of my writings. I have a book in the works entitled Theorem, which picks up from that series that you're familiar with, the vertical horizon and nature object things I did after that. They're much more based on theory of perception, theory of socially defined shapes, theory of cultural applications to how we perceive. And, you see, I can express le ciel. I can express the sky: the two different languages, same sky, slightly different. There is a difference when you say il cielo or the sky in Italiano. You see it? The emphasis, the sound of the word produces a response that impacts our perception of the object being described. So if the word sounds slightly different, the object is going to shift in an interesting way, it doesn't have to be positive or negative.  It's just always interesting to me how think of it, which gets us closer to a musical construct. Because musical is nothing. Music is purely abstract sound capable of defining the undefinable. And it also happens to be a language that's universally spoken. We could play certain pieces of music in any society in the world and it would be to some extent or another perceived, understood. I recently read that there's never been a people that didn't have music. And that can be a very small group of people. It doesn't have to be a gigantic society like Asian or Caucasian. It could be a small splinter group somewhere."